Komos or komazein was that veneration form practised for the
screw and wine god by growing and unrestrainable bands wandering
with dances and singings in an unceasing jubilation. The
myth-rite of Dionysus is understood as an original moment of
Carnival Parties. It had a remarkable development around about
the II sec aC. in all the Puglia, so as already testified by the
Apula ceramics starting from the IV sec aC with findings also in
the putignanese area. The ceremonies in Bacchus-Dionysus honour,
starting from Greek cultural elements, above all in the change
of the Orphic mysteries (popular and rural) were joined to
elements of the native folk giving life to a local cultural
phenomenon of wide proportions which clearly assumed a way a
characterization. To this purpose we must remind of the bloom of
the fliacica comedy, of the clowns/imps of native origin than
from a part they were parodying the traditional tragic heroes,
from other they sneered the powerful.